Site Sponsor Vividseats.com is your one-stop source for all Concert Tickets, Theater Tickets, and Ballet and Dance Tickets. Use Redemption Code RACHEL and get 5% off all tickets, including Dirty Dancing Tickets, Romeo And Juliet Tickets, Lord Of...
Aszure Barton does not waste time. Given a month to make new work in Santa Barbara’s Lobero Theatre, the New York-based choreographer clocked in 12-15 hour days with her dancers, seven days a week. The result, offered up Friday and Saturday along...
Alvin Ailey American Dance Theater is back at UC Berkeley all week. My review in the Chronicle: “Dance doesn’t get more soul-stirring than “Revelations,” Alvin Ailey’s triumph and his frequent vexation. He...
Site Sponsor Vividseats.com is your one-stop source for all Concert Tickets, Theater Tickets, and Ballet and Dance Tickets. Use Redemption Code RACHEL and get 5% off all tickets, including Dirty Dancing Tickets, Romeo And Juliet Tickets, Lord Of...
Site Sponsor Vividseats.com is your one-stop source for all Concert Tickets, Theater Tickets, and Ballet and Dance Tickets. Use Redemption Code RACHEL and get 5% off all tickets, including Dirty Dancing Tickets, Romeo And Juliet Tickets, Lord Of...
The bottom line on SF Ballet’s disappointing new “Swan Lake” (and I wish I’d figured out how to summarize it before deadline for the Chronicle): Helgi Tomasson took a big risk hiring Broadway designer Jonathan Fensom, who...
Dance Discourse organizer Mary Armentrout asked Paul Parish, longtime critic in the Bay Area currently writing for DanceView Times and the Bay Area Reporter, to contribute some thoughts before our panel Thursday. His comments weren’t read...
Site Sponsor Vividseats.com is your one-stop source for all Concert Tickets, Theater Tickets, and Ballet and Dance Tickets. Use Redemption Code RACHEL and get 5% off all tickets, including Dirty Dancing Tickets, Romeo And Juliet Tickets, Lord Of...
CounterPULSE’s panel on dance writing last night brought out a wonderfully robust crowd–and a sometimes heated and politicized discussion. Frankly, I spent a sleepless night afterwards. Is my most cherished journalistic...
My preview in this Sunday’s Chronicle: “Helgi Tomasson is having trouble keeping secrets. The normally reserved, cool artistic director of the San Francisco Ballet rises suddenly from the sofa in his office at the Ballet Association...
My review in Saturday’s Chronicle: “Everyone who sees William Forsythe’s “In the Middle, Somewhat Elevated” is knocked out, and no wonder. It’s like going on safari, watching exotic creatures prowl through...
The latest on the Chronicle’s changes, from a story in the paper: “The next major addition to The Chronicle is a themed daily Datebook section that will focus on a topic that readers care about: Health on Monday, homes on Wednesday...
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